The final "hymn" was "The City of God," which I dislike for both its sappy music and its even sappier theology. As I ground my teeth, I noticed that Father had remained at the entrance to the sanctuary, facing the congregation. What's going on? I wondered. Is he staying there so we won't leave before the song is over? Did he forgot to make an announcement?
When the hymn was over, Father interrupted the postlude to tell us that we were all Pelagians; "Let us build the city of God," the song had us exhorting one another; we'd do it all ourselves. After a brief explanation of Pelagianism and the observation that St. Augustine must be rolling over in his grave, Father took up his station at the chapel entrance, and we all filed out. I was flabbergasted—and overjoyed.
I hope Father continues to comment on the musical fare. If he needs some examples, I've got a little list . . .
Huzzah, huzzah! I wonder the reactions of Herr Professor Organist and the fruity-voiced contralto at the microphone.
ReplyDeleteDon't know about the Professor's reaction, but the contralto has been gone awhile. We now have a soprano who can actually sing (though she does have a rather heavy accent).
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